The works created during her studies capture a phase of exploration and definition of her own artistic language. Experimentation becomes a research tool through which the artist investigates the relationship between form, matter, color, and image, testing plastic solutions and diverse modalities of constructing the pictorial space.
This period marks a process of accumulation and selection, where academic influences intersect with personal concerns, and technical exercise begins to transform into an individualized artistic practice. The works thus retain the open character of a phase of searching, in which the future directions of her creation begin to take shape